IN/HARMONY
UK dance music has always claimed reinvention as a core value, yet much of the time it simply rearranges its own archive. What makes IN/HARMONY compelling is not the list of affiliations around Just Geo, but the position he occupies inside the system. As a DJ moving weekly between pirate-born legacies and contemporary club expectations, he operates within a live feedback loop. The dancefloor answers back. That exchange shapes this EP more than any press quote could. Just Geo’s background in Grime and UK Garage is not treated as heritage branding. Instead, it becomes connective tissue, linking fragments of the UK underground into a coherent present tense. The record feels less like a stylistic exercise and more like field research: testing pressure points, measuring patience, allowing space where previous eras might have demanded constant impact. In a scene that often confuses speed with progress, this restraint reads as confidence. Fatherhood sits quietly behind the project, not as a marketing hook but as a structural shift. Studio time carved out between responsibilities introduces a different awareness of energy and release. The tension between domestic stillness and club intensity runs through the EP’s logic. Rather than chasing novelty, Just Geo seems to be negotiating continuity, asking how a producer embedded in youth culture evolves without pretending to stand outside it. That question gives IN/HARMONY its weight. The result feels fresh not because it rejects the past, but because it understands it from within and moves it forward, one dancefloor at a time.